The Criterion Collection
Aug 30, 2017 — Paul Schrader’s First Reformed premieres in Competition in Venice before screening in the Masters program in Toronto, and the New Yorker’s Richard Brody finds it to be “a fierce film; Schrader, one of the crucial creators of the modern cinema...
The Daily
Aug 24, 2017 — Cineaste has posted selections from its fiftieth anniversary issue, along with a round of web exclusives. Louis Menashe, professor emeritus at Polytechnic Institute of New York University and author of Moscow Believes in Tears: Russians and Their Movies, tells the...
The Daily
Aug 23, 2017 — We’re opening today’s entry with the “goings on” items because today’s must-read comes from Bilge Ebiri in the Village Voice. He assures us that he’s “not exaggerating when I say that I’ve been waiting most of my life to see...
The Daily
Aug 22, 2017 — BBC Culture has polled 253 film critics from fifty-two countries to come up with a list of the “100 greatest comedies of all time.” Nicholas Barber argues the case for the film that’s come out on top, Billy Wilder’s Some...
Aug 22, 2017 — French cinema titan Sacha Guitry brings a savage misanthropy to this exploration of a toxic marriage and the arbitrariness of the legal system.
Aug 18, 2017 — In this unsparing drama, Mike Leigh captures the grim mood of Thatcher’s England through the frustrations of a working-class London family.
The Daily
Aug 17, 2017 — Zhao Tao (Mountains May Depart) and Liao Fan (Black Coal, Thin Ice) are set to star in Jia Zhangke’s new film, Ash Is Purest White,” a project formerly known as “Money & Love,” reports Variety’s Elsa Keslassy. “An epic love...
Aug 16, 2017 — French New Wave icon Jeanne Moreau possessed a stillness, a way of surrendering to the camera, that made her utterly unique among modern actors.
Aug 15, 2017 — Walter Matthau solidified his reputation as a formidable comedic force in this delightful Cold War espionage romp.
Visual Analysis
Aug 12, 2017 — The director of the newly released Columbus takes a close look at how doors open onto philosophical mysteries in the films of French master Robert Bresson.