Two in One

Feb 25, 2013 — When an ethnographic filmmaker and a sociologist joined forces, they helped change the course of nonfiction cinema.

Feb 19, 2013 — Elia Kazan’s masterwork is a vivid, tough look at a time and place, and a transcendent human drama.

Feb 14, 2013 — David Bordwell and Kristin Thompson’s textbook Film Art, a cornerstone of the cinema studies discipline, was first published in 1979 and is now in a tenth edition. Over the years, some sections have been taken out, either to make room...

Feb 5, 2013 — Keisuke Kinoshita’s most experimental film is a resplendent, kabuki-inspired, folk-derived drama about mortality.

Jan 28, 2013 — The release of Pina, Wim Wenders’s magical documentary tribute to the choreographer Pina Bausch, has put us in mind of the pioneering work of Martha Graham, the mother of modern dance. For a splendid sample of Graham’s legendary work, check...

Jan 15, 2013 — Despite the acclaim, Volker Schlöndorff always felt his adaptation of Günter Grass’s novel was incomplete. Thirty years later, he set to work on his director’s cut.

Dec 11, 2012 — Cinema is both an educational tool and a vessel for kinetic, avant-garde expression for filmmaker and activist Godfrey Reggio.

Nov 20, 2012 — Michael Cimino’s visionary western is a superbly realized account of a shocking real American tragedy.

Nov 13, 2012 — Rejecting the orientalism of other adaptations, Pier Paolo Pasolini’s take on the classic tales is humane and erotic.

Oct 25, 2012 — The following piece by Sunday Bloody Sunday screenwriter Penelope Gilliatt originally appeared as the introduction to the 1971 U.S. publication of the script. A friend of mine who had started scrubbing at fourteen and went on to be a barmaid...