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The Things of Love

Oct 2, 2014 The following is a chapter on The Innocents from cinematographer Freddie Francis’s memoir, The Straight Story from “Moby Dick” to “Glory.” It is reproduced here courtesy of Scarecrow Press. The last picture I worked on as a cinematographer in my...

Jun 17, 2013 The silent legend practices slapstick with clockwork precision in his most iconic, astonishing comedy.

Aug 14, 2012 The camera never stops moving in the Dardenne brothers’ portrait of a troubled teenage girl desperate for a job.

Dec 8, 2011 Sir Alfred Hitchcock once said, “I’m not a heavy eater. I’m just heavy, and I eat.” Hitchcock’s father was a grocer, so we can assume young Alfie grew up knowing his way around food. His films are filled with food...

Oct 4, 2011 Vilified, censored, banned, denied commercial distribution, and long unavailable, Pier Paolo Pasolini’s infamous film lives more in reputation and rumor than in memory.

Aug 12, 2010 One of the most challenging aspects of our work is to get accurate color for films when there are no filmmakers to consult with. This is especially true of films from the fifties and sixties, for which cinematographers, directors, editors,...

Dec 10, 2009 Upon its U.S. release in the fall of 1969, Costa-Gavras’s Z made a splash unprecedented for a non-Hollywood film: star Yves Montand talked it up to Johnny Carson on The Tonight Show, and the film went on to gross $2.2...

Nov 19, 2008 Albert Lamorisse’s principled balancing of objective fact with childish wish fulfillment results in a new, paradoxical genre—the documentary of dreams.

Oct 23, 2006 The New Zealand director’s debut feature is a bridge between her tentative, probing film school works and her subsequent female character studies.

Jan 17, 2005 Jacques Becker’s crime film contains plenty of the requisite genre elements—double-crossings, violence, kidnappings, and gun battles—but it’s also a pensive meditation on age, friendship, and lost opportunities.

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