The Robe

Jun 19, 2013 — Disorienting, brutal, and bloody beautiful, František Vláčil’s epic is a dark medieval vision teeming with cinematic invention.

Jul 6, 2012 — Samuel Fuller wrote this extraordinary “interview” piece shortly after White Dog was completed. It appeared in issue 19 of the journal Framework in 1982, with this introduction: “The director of Paramount’s White Dog interviewed the title actor of the movie...

May 30, 2012 — Our video series featuring filmmakers and friends Robert Downey Sr. and Paul Thomas Anderson discussing the films in the Eclipse set Up All Night with Robert Downey Sr. wraps up with an installment focusing on the most successful film of...

May 17, 2012 — Robert Downey Sr. and Paul Thomas Anderson have been close friends for years. (You can see Downey in a memorable cameo as a record producer in Anderson’s 1997 film Boogie Nights.) Last month, the two directors came to the Criterion...

Sep 27, 2011 — Internationally, Victor Sjöström is best known for his performance as Professor Isak Borg in Ingmar Bergman’s Wild Strawberries (1957). But behind that unforgettable face of old age is a younger man, a leading actor who was also the greatest Swedish...

This major figure of the New German Cinema has won acclaim for his literary adaptations and films that explore German history and identity.

The Criterion Collection is bursting with films that have earned Hollywood’s prestigious little golden guy.

Oct 25, 2009 — Costa-Gavras’s 1969 political assassination thriller Z appeared at the end of a decade of burgeoning cultural change and rampant paranoia. In the United States, this Algerian-French coproduction sparked a sensation, not just relaying the European political crisis but perfectly capturing...

Aug 24, 2009 — Whit Stillman took a risk when he set his third film during (and titled it after) the disco era, whose erstwhile existence, from almost the moment it ended, has seemed to embarrass most Americans more than Watergate. One would think...

Oct 6, 2007 — In Gus Van Sant’s first feature, gayness—blind, unembarrassed homosexual lust—is the narrative’s driving force.