The Criterion Collection
Apr 29, 2025 — To commemorate the fiftieth anniversary of the fall of Saigon, the director of Three Seasons discusses a selection of landmark films that have shaped how we remember this devastating and divisive conflict.
The Daily
Nov 10, 2023 — Black mothers’ stories come around again, Matt Wolf probes the archives, and Lizzie Borden conjures the streets of mid-1980s New York.
Jan 24, 2018 — One of the most memorable sequences in the silent classic People on Sunday explores the experience of being photographed and the tension between still and moving images.
The Daily
May 12, 2026 — Sorting through critics’ most-anticipated titles, catching up with interviews and profiles, and more.
The Daily
Dec 12, 2025 — This week: Bi Gan, Radu Jude, a new Film Quarterly, and of course, more year-end lists and polls.
Feb 14, 2025 — The director of Down with Love talks about his favorite romantic comedies set in the great metropolis and looks back on the making of his own foray into the genre.
Jun 10, 2020 — Years ago I took a seminar on movie stars led by the writer Wayne Koestenbaum, a glittering episode that closed out a rather colorless stint in graduate school. The syllabus was replete with inspired double bills—Deleuze on Leibniz + Lana...
The Daily
Sep 25, 2017 — Last year, I Am Not Madame Bovary premiered at the Toronto International Film Festival, where it won the Special Presentations award from the International Federation of Film Critics (FIPRESCI) and would go on to win the top award at the...
May 21, 2017 — “Neo-realism isn’t necessarily a genre built for star turns,” writes Guy Lodge for Variety, “but director Jonas Carpignano happened upon one anyway in his debut Mediterranea: Then-preteen Pio Amato wasn’t the lead in that accomplished, affecting refugee drama, but his...
Oct 9, 2015 — Guy Maddin and his filmmaking partner Evan Johnson dropped by the Criterion kitchen to talk about their new film, The Forbidden Room.