The Father

May 17, 2022 — A new restoration of The Mother and the Whore launches Cannes Classics before Final Cut officially raises the curtain.

Apr 27, 2022 — Cannes sets its juries, Directors’ Fortnight selects its shorts, Locarno honors Laurie Anderson, and Sundance lines up a big London edition.

Mar 18, 2022 — Ukrainian cinema, suspense vs. dread, and the opposite of synesthesia are on our minds this week.

Mar 3, 2022 — Retrospectives, exhibitions, and new publications celebrate the work of an endlessly fascinating artist.

Jan 25, 2022 — A Victorian-era tale of self-discovery, Jane Campion’s Palme d’Or winner exults in the thrill of female rebellion.

Dec 7, 2021 — Regina King’s feature-film directorial debut envisions the true-life convergence of four prominent Black figures with empathy and moral urgency.

Sep 7, 2021 — When Breathless opened in the U.S., the New York Times announced the arrival of “a hypnotically ugly new young man by the name of Jean-Paul Belmondo.”

Aug 16, 2021 — Here’s what critics have been saying about the winners of the top awards.

Jul 26, 2021 — The main competition boasts new work from Jane Campion, Pedro Almodóvar, Ana Lily Amirpour, and Pablo Larraín.

Jun 29, 2021 — In Dee Rees’s ambitious and lyrical debut, the inner life of a queer Black teenager and poet is summoned in all its nuances and contradictions.