Over & Over

Jul 16, 2021 — The spotlight this week is on Sara Driver, Jacques Tati, Bill Duke, Lizzie Borden, and Nobuhiko Obayashi.

Jul 15, 2021 — The annual showcase of emerging talent wraps its sixtieth edition with the presentation of six awards.

Jul 14, 2021 — Cannes premieres new work from Mia Hansen-Løve, Wes Anderson, Nanni Moretti, Asghar Farhadi, and Kirill Serebrennikov.

Jul 13, 2021 — One of the most remarkable Black films released in the 1990s, Bill Duke’s Deep Cover (1992) is an uncompromising film noir that uses the so-called war on drugs as its backdrop. The story follows Russell Stevens (Laurence Fishburne) as he...

Jul 13, 2021 — Miles: I just sold a building on the Lower East Side and tripled my money Molly: There’s a lot of that happening these days. Released the year before Oliver Stone’s Wall Street (1987), Working Girls, a film about sex work, is a sharper by far...

Jul 9, 2021 — This week: Bresson’s rhythms, Hawks’s bravura, Márta Mészáros’s choreography, and the everlasting No Wave of Beth B.

Jul 9, 2021 — A raucous, fast-talking diva, the actor had a remarkable ability to convey both glamour and silliness, a gift that made her the queen of screwball comedy before her untimely death in 1942.

Jul 7, 2021 — In the 1990s, Hong Kong was home to a staggering number of the most gifted and charismatic actors in the world. It’s impossible to imagine the films of Wong Kar Wai—or the global art-house phenomenon they generated—without these extraordinary performers;...

Jul 6, 2021 — The fourth of Andrei Tarkovsky’s seven features is his most oneiric and resistant to interpretation, drawing from the director’s own childhood memories to create a fluid sense of history.

Jul 6, 2021 — Howard Hawks’s madcap battle of the sexes is a reminder of how necessary and sneakily profound silliness can be.