Just Like a Woman

May 22, 2020 — This week’s round features the story behind John Cassavetes’s debut feature and conversations with Dan Sallitt and Jonathan Rosenbaum.

May 19, 2020 — The range was remarkable, but the projects Piccoli selected and the directors he chose to work with are what make his body of work essential.

Mar 24, 2020 — How do you talk about Leave Her to Heaven without talking about Gene Tierney’s face? You can’t. Because its planes and curves, its cunning expressions and its tantalizing opacity, are such a central piece of the movie itself. A series...

Feb 18, 2020 — From the making of Chinatown, through fresh memoirs and ongoing biographies, here’s this month’s overview of new and noteworthy titles.

Jan 31, 2020 — The abortion drama slated for the Berlinale’s competition is being met with strong reviews at Sundance.

Jan 16, 2020 — The Austin film festival is set to launch new work by Spike Jonze, Amy Seimetz, RZA, Frank Oz, Judd Apatow, and Julia Reichert and Steve Bognar.

Oct 2, 2019 — Armando Iannucci’s The Personal History of David Copperfield opens this year’s bounteous edition.

May 15, 2019 — It may have taken nearly two decades after graduating from England’s National Film and Television School for Joanna Hogg to emerge as a feature filmmaker, but it was worth the wait. After making her thesis film, Caprice (starring a then-unknown...

Apr 5, 2019 — Two-Lane Blacktop A longtime Criterion contributor, Kent Jones has written for us on everything from the glories of studio filmmaking to the most daring and cerebral of art-house auteurs. But regardless of the subject he’s set his sights on, he’s...

Nov 22, 2018 — Family movies, Wellesian moments, and the female gaze are among this week’s highlights.