The Criterion Collection
The Daily
Jul 31, 2017 — Broadway World has broken the sad and startling news that “playwright, actor, author, screenwriter, and director Sam Shepard has passed away. Shepard, who had been ill with ALS for some time, died peacefully on July 27 at his home in...
The Daily
Jun 30, 2017 — Starting today, the Film Society of Lincoln Center and Subway Cinema present the sixteenth edition of New York Asian Film Festival, running through July 13 at the Walter Reade Theater and then from July 14 through 16 at the SVA...
The Daily
Jun 22, 2017 — The new issue of Senses of Cinema opens with a whopping dossier on Budd Boetticher (1916–2001). In his introduction, Dean Brandum notes that “in 1960, at the very moment he seemed destined for A-list status, he walked away from Hollywood,...
Mar 14, 2017 — Religious fanaticism and anti-Communist hysteria give way to mass violence in this groundbreaking work of Mexican political cinema.
Essays
Nov 22, 2016 — The result of a notoriously troubled production, Marlon Brando’s unorthodox western presents a brooding vision of human futility.
Nov 29, 2013 — Did You See This?• Living Criterion covers • A lengthy detour with Edgar Ulmer • Re-creating Babette’s feast • Eleven great (mini) performances • A gateway cinema survey • Steve James to honor Roger Ebert on film • Mike Leigh...
Dec 11, 2012 — Philip Glass’s experimental operas and symphonic works of the 1960s and ’70s laid the groundwork for his hypnotic Qatsi scores.
Essays
Oct 4, 2011 — Vilified, censored, banned, denied commercial distribution, and long unavailable, Pier Paolo Pasolini’s infamous film lives more in reputation and rumor than in memory.
Mar 15, 2011 — The site of Louis Malle’s film Au revoir les enfants was the Petit-Collège d’Avon, a residential prep school located on the grounds of the Carmelite monastery abutting the park of the fabled French palace of Fontainebleau. Malle attended this school...
Essays
May 27, 2010 — Dismiss from your mind, momentarily at least, the John Ford we know, who could define himself with the three words “I make westerns.” Before Stagecoach (1939), Ford’s talking pictures played out in submarines, penitentiaries, and Scottish castles, in Mesopotamia, colonial...