The Day Will Come

Nov 9, 2021 — Julia Ducournau’s Titane, Jasmila Žbanić’s Quo Vadis, Aida?, and Florian Zeller’s The Father lead with four each.

Oct 1, 2021 — This week we’re celebrating Haile Gerima, reading the new Cinema Scope, and listening to Julie Delpy.

Sep 29, 2021 — Luchino Visconti’s scandalous antifascist melodrama envisions the liquidation of desire with expressionistic panache.

Sep 24, 2021 — The celebration of the life and work of the filmmaker, novelist, rebel, and father has just begun.

Sep 20, 2021 — Kenneth Branagh gets an early awards season boost, while Indonesian director Kamila Andini wins the Platform prize.

Sep 3, 2021 — Faya Dayi opens, Sight & Sound revives the Black Film Bulletin, and Tsai Ming-liang and Tony Leung Chiu Wai look back—and ahead.

Sep 2, 2021 — A dark chapter in Spain’s history lurks in the background of Almodóvar’s exuberant comedy.

Aug 16, 2021 — Here’s what critics have been saying about the winners of the top awards.

Aug 9, 2021 — The late summer and early fall festivals announce this year’s honorees.

Jul 23, 2021 — Deep Dives In later years, Buster Keaton referred to his signing of a contract with MGM as “the worst mistake of my career.” In 1928 it was purely a business decision. The last few films he had made for his own...