The Criterion Collection
Essays
Mar 30, 2015 — The astonishing intimacy and scope of this remarkable, aesthetically captivating epic ushered in a new era of narrative documentary filmmaking.
Mar 25, 2015 — Errol Morris’s revolutionary film boldly investigated the truth of a murder case while reimagining documentary cinema aesthetics.
Mar 24, 2015 — Words—they conceal and reveal so much about us, as Errol Morris’s elusive and brilliant first films attest.
Mar 11, 2015 — More than thirty years after his death in 1977, Roberto Rossellini is remembered by your average film buff as the father of Italian neorealism (Rome, Open City, 1945; Paisan, 1946; Germany Year Zero, 1948) and of actress and model Isabella...
Feb 24, 2015 — Federico Fellini’s fragmentary and picturesque tale of death and debauchery in ancient Rome is a surreal take on reality.
Feb 17, 2015 — It was never, of course, Yasujiro Ozu’s intention that An Autumn Afternoon (1962) should be the final film of his thirty-five-year career as a writer-director. Indeed, before he died on his sixtieth birthday, in December 1963, he had made notes...
Essays
Feb 11, 2015 — With its provocative ambiguities, tender compassion, and fragmented editing style, this supernatural classic is a pure dose of Nicolas Roeg.
Feb 3, 2015 — Jean-Luc Godard returned to the character-driven intensity of his earlier films with this satirical but serious-minded take on men, women, and money.
Jan 21, 2015 — Money can’t buy love and happiness in Preston Sturges’s classic comedy—or can it?
Jan 14, 2015 — The writer remembers two New York film figures.