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Sep 16, 2021 — As the Viennale prepares a retrospective, Toronto premieres what Davies calls “the best film I’ve made.”

Sep 16, 2021 — For some, it’s “a relentless, propulsive chase movie,” while others find this first part to be “a turgid preamble with little payoff.”

Sep 14, 2021 — A staple of 1980s British cinema, Neil Jordan’s crime drama considers the slippery characters that inhabit the London underworld.

Sep 13, 2021 — Audrey Diwan, Jane Campion, and Maggie Gyllenhaal take home top awards.

Sep 9, 2021 — Critics find Kristen Stewart to be “both such a counterintuitive and oddly apt choice” for the role of Diana, Princess of Wales.

Sep 7, 2021 — When Breathless opened in the U.S., the New York Times announced the arrival of “a hypnotically ugly new young man by the name of Jean-Paul Belmondo.”

Sep 3, 2021 — Faya Dayi opens, Sight & Sound revives the Black Film Bulletin, and Tsai Ming-liang and Tony Leung Chiu Wai look back—and ahead.

Sep 3, 2021 — In the thirty-fifth edition of the Italian festival dedicated to restored films, an eclectic lineup underscores the transportive physicality of cinema after a long year stuck at home.

Sep 2, 2021 — A dark chapter in Spain’s history lurks in the background of Almodóvar’s exuberant comedy.

Sep 2, 2021 — Translated into English for the first time, this afterword to Hirokazu Kore-eda’s novelization of his film explores the director’s attraction to fiction writing and how the art form differs from narrative cinema.