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Jul 19, 2018 — Damien Chazelle’s First Man will open Venice, and Alfonso Cuarón’s Roma will be the NYFF’s Centerpiece presentation.
Jul 17, 2018 — Without doubt, Steven Soderbergh’s sex, lies, and videotape struck a nerve when it was released in 1989. Astonishingly, it still does today. Among the most storied of American independent films, it debuted at the U.S. Film Festival (soon to be renamed the...
Jul 17, 2018 — The festival has become a fertile hunting ground for discerning programmers.
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Jul 12, 2018 — Hong Sangsoo, Bruno Dumont, and Radu Muntean are among the filmmakers premiering new work at the seventy-first edition.
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Jul 7, 2018 — The writer and director lived a full and robust life both before and after his monumental Shoah.
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Jul 4, 2018 — New issues of Cinema Scope, Film Comment, and Senses of Cinema take stock of the year in cinema—so far.
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Jun 28, 2018 — As two festivals in New York survey the best of new Japanese cinema, it’s “Summer in Japan” in Toronto.
Jun 26, 2018 — John Waters’ favorite among his early works is both an assault on political correctness and a no-holds-barred expression of gay militancy.
Jun 21, 2018 — I have lost count of the number of times I have had the pleasure of watching El Sur, but I suspect it is among the films I have seen most frequently in my life. It is a treasure chest that reveals...
Jun 19, 2018 — It keeps happening. At the time of this writing, students of Marjory Stoneman Douglas High School in Parkland, Florida, are mourning the deaths of fourteen of their classmates and three faculty members, all of whom a nineteen-year-old is accused of...