The Criterion Collection
Oct 24, 2017 — In this intimate psychological thriller, Olivier Assayas interrogates contemporary society’s near-religious reliance on technology and its mediation of reality.
Essays
Oct 17, 2017 — In this lavishly mounted epic, Stanley Kubrick captures the ghostly ephemerality of a vanishing world with paradoxical immediacy.
Short Takes
Sep 25, 2017 — Highlights from this year’s stellar Toronto International Film Festival lineup echoed a handful of classics from our collection.
Features
Sep 19, 2016 — If you consider noir as a global phenomenon, then films like Julien Duvivier’s Pépé le moko (1937), Jean Renoir’s La bête humaine (1938), and Carné’s Port of Shadows (1938) may be the first full harvest of this bitter crop.
Jul 20, 2016 — In his staggeringly ambitious masterwork A Touch of Zen, Chinese filmmaker King Hu imbues dynamic scenes of combat with balletic grace and audacious stylistic experimentation.
Sep 24, 2015 — Bruce Beresford critiques the British colonialist era in this precise, layered adaptation of a 1939 novel by Joyce Cary.
Nov 13, 2012 — Moving to Chaucer’s gray-skied England, Pier Paolo Pasolini pushed his trilogy into darker realms.
Apr 25, 2011 — In 1981, the legendary critic went all out for Blow Out, which she thought was De Palma's most mature work to date.
May 11, 2009 — Novelists learn not to expect too much when their books are made into movies. Obviously, great fiction has been turned into great cinema, but the dents and scrapes that so many classics have sustained on the rocky road from the...
Essays
Apr 28, 2008 — It’s a fascinating tradition of children’s fiction that Albert Lamorisse’s film continues, evoking an Edenic world of children and animals living in harmony—one very far away from where we are.