The Criterion Collection
Oct 5, 2016 — Rock critic Robert Christgau examines the evocative use of three early Leonard Cohen songs in Robert Altman’s brilliant revisionist western.
Features
Oct 4, 2016 — This account of a visit to the Beyond the Valley of the Dolls set is excerpted from an issue of the University of California, Los Angeles, newspaper.
Oct 3, 2016 — Polish music icon Zbigniew Preisner, who first worked with the Dekalog director on 1985’s No End and went on to contribute to all of his subsequent films. Here, we present a selected playlist of Preisner’s most memorable work for Kieślowski.
Sep 28, 2016 — “King of the Nudies” Russ Meyer injects his transgressive exuberance into this big-studio send-up of Hollywood debauchery.
Sep 27, 2016 — This monumental meditation on the Ten Commandments captures the spiritual undercurrents of life in late-Communist Poland.
Sep 20, 2016 — Cloaked in chiaroscuro and innuendo, this stylistically innovative creature feature leaves its greatest horrors to the imagination.
Sep 13, 2016 — Kenji Mizoguchi achieved the sublime with this structurally complex portrait of artistic ambition and female subjugation.
Sep 12, 2016 — Before kicking off a week run of To Sleep with Anger at the Film Society of Lincoln Center, the influential director joined us for a conversation about how his encounters with international cinema inspired him as a filmmaker of color.
Aug 26, 2016 — ClippingsLast weekend, in conjunction with his new album, Blonde, musician and noted cinephile Frank Ocean released a limited-edition zine titled Boys Don’t Cry, which featured a list of his favorite films. Chungking Express, Eraserhead, Blood Simple, Solaris, Paris, Texas, and...
Aug 24, 2016 — During a 2006 meeting with the author, French New Wave icon Jeanne Moreau reminisced about working with Orson Welles, Louis Malle, and François Truffaut, and her turn to acting as a means of eluding the “destiny of a regular girl.”