The Criterion Collection
May 13, 2014 — Few national cinemas have confronted the issue of preparedness for war with the creative vigor of England’s. Thorold Dickinson’s The Next of Kin (1942), Alberto Cavalcanti’s Went the Day Well? (1942, from a story by Graham Greene), and, of course,...
May 5, 2014 — The celebrated divot points manfully toward the crest of the next hill, and the next, and the next, and to the horizon after that. Always forward! Into the sunset! Kirk Douglas is on the move: a wagon train of grimace,...
May 5, 2014 — Billy Wilder’s Ace in the Hole almost requires an honorary expansion of the term film noir. There are no private eyes in seedy offices or femmes fatales lurking in the shadows of neon-lit doorways, no forces of evil arrayed against...
Apr 14, 2014 — Lars von Trier brought his brand of provocation to his widest audience yet with this inquiry into faith and human goodness.
Features
Mar 2, 2014 — The author shares his memories of the French filmmaker, who died on Saturday.
Essays
Feb 27, 2014 — Roman Polanski’s film is a highly sophisticated adaptation of Thomas Hardy’s classic novel, in both its faithfulness and its divergences.
Feb 25, 2014 — A testament to Steven Soderbergh’s versatility, this story of a boy growing up during the Great Depression is a tender but tough-minded look at a child’s inner world.
Feb 24, 2014 — A film of explosive passions, Abdellatif Kechiche’s coming-of-age triumph is about much more than just physical pleasure.
Jan 28, 2014 — Terence Davies beckons the viewer into a private world of moods and sensations with this exquisite childhood reverie.
Jan 13, 2014 — With economy and panache, Michael Mann established his existential crime drama style with this breakthrough first feature.