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Wild Over You

Jul 6, 2017 We open today’s round, considerably briefer than yesterday’s, with Ridley Scott double feature—of sorts. Movie City News alerts us to an article by Scott himself that originally appeared in the August 1979 issue of American Cinematographer: “I felt that Alien...

Mar 26, 2007 Across five films, the Swedish director defined his guiding themes and cinematic style.

Oct 16, 2018 With her thick, flowing brushstrokes and eccentric sensibility, illustrator Ping Zhu captured the buoyant flavor of Juzo Itami’s “ramen western.”

A Week and a ½

The Daily

Oct 2, 2020 This wild week we’re celebrating William Greaves, watching Denis Lavant dance, and listening to Léonce-Henry Burel’s juicy stories about Robert Bresson.

Apr 28, 2020 I first fell in love with Miranda July’s work with her strange, wild, poignant short stories;  her stories led me to her novel  and first two feature films, which I watch so  often that they have over time become spiritual...

May 29, 2026 We’re revisiting work by Tarkovsky, Pelechian, and Portabella as well as two films with the word Dead in the title.

May 26, 2026 Women’s hands dance over typewriter keys. The percussive racket they make, like the tapping of an unruly chorus line, takes the place of music during the opening credits of The Office Wife (1930), which appear over a montage of female...

Apr 16, 2026 This month, take a peek at movie history through the prism of the ’80s: our collection of the decade’s best remakes and the originals that inspired them reveals an era of wild reinventions and sly revisionism.

May 23, 2025 We’re in the mood for Wong Kar Wai, Kira Muratova, Carl Theodor Dreyer, Alan Rudolph, and Dag Johan Haugerud.

What Comes After

The Daily

Jan 24, 2025 We’re sampling new issues of Notebook, Senses of Cinema, and 032c and reading about Eisenstein and Charlotte Zwerin.

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