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To Be and to Have

Jun 3, 2009 We’ve pieced together comments from production designer Donald Burt and property master Hope Parrish of working with the supermeticulous and precise David Fincher on perfecting the atmosphere and historical accuracy of The Curious Case of Benjamin Button. You can click...

Annie Hall

Essays

Dec 3, 1990 Over the years I have had a recurrent nightmare in which I am summoned to a large, unfamiliar building in a middle-European satellite country (Bulgaria, perhaps) to tell the idea of Annie Hall to the Bulgarian Minister of Green Lights,...

Jun 16, 2009 In Tempo di viaggio (1983), the doodle Andrei Tarkovsky and Tonino Guerra made for Italian TV as they prepped Nostalghia, the great struggling Russian answers a question about genre films by saying that his Solaris (1972) is “not so good,”...

May 20, 2025 Set in the dying days of the 1960s, Bruce Robinson’s semi-autobiographical tale of two unemployed actors is a triumph of screenwriting and a brilliant showcase for then-unknown stars Richard E. Grant and Paul McGann.

Dec 22, 2025 The critic and curator talks about working on a program of films by trailblazing Black women directors, which opened at London’s BFI Southbank this year and is now playing on the Criterion Channel.

Jun 5, 2025 The festival is hosting film premieres, live performances, immersive experiences, and conversations about a few enduring movies.

Feb 19, 2021 This week’s round takes us from Italy in the 1950s and ’60s to America in the ’70s and Hong Kong in the ’90s.

Jun 30, 2020 Come and See (1985) is one of those films whose authority is established from its opening moments. Out in the open air, an elderly peasant dressed in a soft-peaked beret is volleying a mixture of threats and imprecations into some...

Apr 8, 2020 Plus Godard on Instagram, Almodóvar from Madrid, and John Sayles on his favorite movies.

Feb 1, 2019 Rotterdam and Vanity Fair get a cinephile’s dream roster of filmmakers talking about their work.

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