The Criterion Collection
Jan 31, 2014 — Tim Forbes is chairman of Forbes Digital and a former independent producer and screenwriter. He writes: “At the Brown Film Society in the early 1970s, we ran about twenty different movies a week, showing everything then available, from the lowliest...
Criterion Designs
Jan 22, 2014 — When it came time to assemble the Criterion release of It’s a Mad, Mad, Mad, Mad World, using Jack’s classic art was a no-brainer, and we were thrilled to find the man himself willing to revisit the film and provide...
Sep 30, 2013 — Keegan McHargue is a painter whose work has been exhibited throughout the world and draws on many facets of culture, with a particular affinity for film. His exhibition Prick of Conscience was at Fredericks & Freiser Gallery in New York...
Feb 19, 2013 — Elia Kazan’s masterwork is a vivid, tough look at a time and place, and a transcendent human drama.
Oct 30, 2012 — “I discovered Criterion in the late eighties with the laserdisc of Citizen Kane, which I still watch,” writes director William Friedkin, whose films include The French Connection, The Exorcist, Sorcerer, and 2011’s Killer Joe. “Since switching to DVD and Blu-ray,...
Mar 13, 2012 — John Taylor is a member of the British rock group Duran Duran, which he founded in 1978 while at college in Birmingham, along with his fellow student Stephen “TinTin” Duffy and their neighborhood friend Nick Rhodes. When not on the...
Feb 22, 2012 — Oren Moverman, who appears as a visitor to the theater in Vanya on 42nd Street, is the cowriter and director of the 2010 Oscar-nominated The Messenger. He served as a screenwriter on I’m Not There, Married Life, and Jesus’ Son,...
Oct 21, 2011 — Our favorite Finn didn’t have an easy time picking his ten favorite titles in the Criterion Collection. On the eve of Janus Films’ 2011 release of his Le Havre, Aki Kaurismäki had this to say: “I didn’t really concentrate for...
Sep 13, 2011 — Hollywood has been importing talented European filmmakers at least since the early twenties, when Victor Sjöström and Ernst Lubitsch heeded the siren wail of Tinseltown resources, and their work there has tended to quickly obscure the cultural memory of the...
This Belgian visionary took a profoundly personal and aesthetically idiosyncratic approach to film form, using it to investigate geography and identity, space and time, sexuality and religion.