This Could Be the Night

May 21, 2024 — The reviews are in for Caught by the Tides, Emilia Pérez, and The Substance.

Mar 10, 2023 — While Hollywood celebrates itself, MoMA spotlights video artists.

May 17, 2022 — Juzo Itami’s tragicomic directorial debut has scandalous fun with the Japanese traditions governing death.

Sep 30, 2021 — The Oscar-winning actor—whose one-hundredth birthday we’re celebrating on the Criterion Channel—embodied a mess of contradictions that have long been obscured by her reputation for unbending rectitude.

Jan 5, 2021 — The film begins at night. Under the credits, there are views from a car in motion, before four people arrive at a stately home in the woods. There is a married couple, François (Paul Frankeur) and Simone (Delphine Seyrig) Thévenot....

Nov 25, 2020 — A camera dollies down a hallway into the interior of a nursing home: the opening of Martin Scorsese’s The Irishman (2019) prompts a foreboding that seeps into all that follows. The Five Satins’ 1956 doo-wop classic “In the Still of...

Oct 28, 2019 — This year’s Tokyo International Film Festival salutes two singular directors, both in their eighties now but still going strong.

Oct 7, 2019 — Critics respond to the New York Film Festival’s selection of new moving image art.

May 21, 2019 — Claire Denis’s Let the Sunshine In (2017) is one of the great films about middle-aged loneliness, specifically—though not exclusively—as women feel it. It’s not a dating movie, though there’s dating in it. And it’s not a feeling-sorry-for-oneself movie, though there are...

Sep 17, 2018 — Once called “the great directorial genius of Hollywood” by Carole Lombard, Gregory La Cava struck comedy gold with this mix of madcap high jinks, irresistible romance, and social commentary.