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The Young Stranger

Dec 4, 2017 Last Wednesday, the Sundance Film Festival unleashed the entire features lineup for its 2018 edition, running from January 18 through 28. Today, the festival’s adding lineups for a new Indie Episodic section as well as its Shorts and Special Events...

Sep 5, 2017 Frederick Wiseman “is 87 now,” as Tom Charity notes in the new issue of Cinema Scope. “It may be a little presumptuous to suggest he’s reaching for a summation, but it is sure that he’s only making the films he...

Jul 12, 2017 La telenovela errante, a film Raúl Ruiz shot in 1990 (image above) and now fully realized by his widow and editor, Valeria Sarmiento, is one of the highlights of the lineup for this year’s Locarno Film Festival. The seventieth edition...

Jul 6, 2017 We open today’s round, considerably briefer than yesterday’s, with Ridley Scott double feature—of sorts. Movie City News alerts us to an article by Scott himself that originally appeared in the August 1979 issue of American Cinematographer: “I felt that Alien...

Mar 1, 2017 In his most seductive experiment with cinematic time, Richard Linklater wrestles with the joys and challenges of long-term intimacy.

Exile at Home

Features

Dec 18, 2016 Imogen Sara Smith examines the tensions between tradition and modernity reflected in two silent crime films by Yasujiro Ozu and Tomu Uchida.

Feb 28, 2014 Other first films exude the sparkling joy of filmmaking that one feels in Breathless, but how many can boast its sure-handedness?

Jan 18, 2011 In his Life Studies poem “To Speak of Woe That Is in Marriage,” Robert Lowell wrote of “free-lancing out along the razor’s edge,” a lean, glamorous, tense phrasing that invokes the Samuel Fuller of the early sixties—a director suddenly without...

Jan 19, 2010 A Belgian in New York It was in the 1970s, the first decade of her career, that Belgian filmmaker Chantal Akerman created the works that would define her. Informed as much by her brushes with the experimental film scene in...

Jan 10, 2005 Seijun Suzuki's penultimate film for Nikkatsu is a subversively funny account of the making of a model fascist.

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