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Aug 20, 2007 In the mid-sixties, Luis Buñuel became fascinated by the youth rebellion that culminated with the events of May 1968 in Paris and also manifested itself in music, fashion, opposition to institutions, family, and state. Buñuel felt that the forces of...

The Other Side of the Tracks

Production Notes

May 2, 2007 At Criterion, producers spend a lot of time talking about each DVD release—from cover art and liner notes to the special features we present. In the case of the latter, we have a pretty elaborate system in place. We start...

Dec 11, 1986 If events had turned out differently, Orson Welles’s second film might well be widely regarded as “the greatest film of all time.”

Jun 30, 2026 The distinction between social and political cinema is not always clear. The former category, which focuses on realistic portrayals of the everyday lives and struggles of the working class, generally includes the films of Italian neorealism and British social realism,...

Sapph-O-Rama

The Daily

Feb 2, 2024 Film Forum’s series of thirty films centering on women loving women is “eccentric, enduring, and genre-encompassing.”

December Books

The Daily

Dec 19, 2023 Year’s end brings new translations of Serge Daney and Jean Cocteau and new books on Francis Ford Coppola and Jia Zhangke.

Jul 11, 2023 In her audacious debut feature, Cheryl Dunye blends romantic comedy and staged archival material to explore love, friendship, and early U.S. cinema’s history of exclusion.

Nov 16, 2022 After glimpsing his great-great-grandfather on-screen, a writer searches for the history of a landmark silent film.

Mar 1, 2022 The first film I saw at last year’s Morelia International Film Festival opens on the image of a freshly dug grave. Shovelfuls of earth fall into the open pit as two doctors stand above it, lamenting the loss of yet...

Dec 6, 2021 It was a good weekend for Drive My Car, Lady Gaga, and Aleem Khan’s debut feature.

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