The Criterion Collection
The Daily
Jan 25, 2018 — Over a month ago now, we posted the first round in the ongoing series of lineup announcements from the Berlin International Film Festival, whose sixty-eighth edition runs from February 15 through 25. And that round revealed the first eleven titles...
The Daily
Jan 15, 2018 — Big announcement today from the Berlin International Film Festival, whose sixty-eighth edition runs from February 15 through 25. Following the first round of titles slated for the Competition and Berlinale Special revealed last month, the Berlinale’s now added another thirteen....
The Daily
Jan 1, 2018 — One of the most intriguing films we can look forward to in the new year is Claire Denis’s English-language debut, High Life. “I’ve always been interested in science, in astrophysics,” Denis told the Hollywood Reporter’s Scott Roxborough in November. “But...
Short Takes
Apr 10, 2017 — Critic Peter Cowie pays tribute to a quintessentially English master, whose prolific career stretches back to the silent era.
Apr 14, 2016 — In honor of our disc release last week of the classic John Frankenheimer thriller The Manchurian Candidate, we sat down to talk about the film with the director’s widow, actor Evans Frankenheimer.
Mar 15, 2016 — Set during the height of McCarthy-era paranoia and arriving in 1962, in the middle of the Cuban Missile Crisis, John Frankenheimer’s high-anxiety Communist conspiracy thriller tapped into the darkest fears of Cold War America.
Essays
Aug 4, 2014 — Rebellious children of the sixties become conflicted consumers of the eighties in Lawrence Kasdan’s elegiac comedy-drama.
Jun 24, 2014 — In 1964, Richard Lester harnessed the Beatles’ exploding superstardom for a giddy day-in-the-life pop masterpiece.
Essays
May 6, 2014 — This humorous magazine piece from 1970 sheds some light on the meaning of the title of Il sorpasso, along with the way Vittorio Gassman comports himself behind the wheel in it.
Essays
Apr 23, 2013 — Who is Pierre Etaix and where has he been all your life? This is the story of a filmmaker who was vanished, banished, skipped over. It’s as if one of those invisible cubicles mimes are always getting themselves shut in...