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The Red Line

Dec 12, 2016 Patriotic masterminds choreograph capers from secret headquarters while dashing secret agents execute their plans by the light of flashing blades and gunfire. Jeopardy escalates second to second until our heroes and heroines escape by the skin of their teeth. Spy...

Jan 15, 2016 The filmmaker and cinematographer had a lifelong commitment to the camera and how it could be used to foster dialogue and action.

Jun 29, 2015 This work of hallucinatory lyricism was one of the final and freest expressions of the rule-flouting New Wave movement in Czechoslovakia.

Feb 11, 2015 With its provocative ambiguities, tender compassion, and fragmented editing style, this supernatural classic is a pure dose of Nicolas Roeg.

Jul 8, 2014 For our release of Howard Hawks’s Red River, we asked the legendary director and writer Peter Bogdanovich to share his thoughts on the film, which he ranks as one of his favorites. (He once called it “the best epic western...

Aug 30, 2011 A startling blend of fantasy and reality, Lindsay Anderson’s satirical tale of adolescent rebellion personifies the 1960s.

Jun 20, 2011 Genres collide in the great Hollywood movies of the mid­fifties cold-war thaw. With the truce in Korea and the red scare on the wane, ambitious directors seemed freer to mix and match and even ponder the new situation. The western...

Apr 26, 2011 At once prestigious literary adaptation and slap­stick buddy flick, this is something like a lowbrow art film, an egghead monster movie, a hilarious paean to reckless indulgence, and perhaps the most widely released midnight movie ever made.

Feb 22, 2011 It wasn’t intended. No one could have predicted it. But Sweet Smell of Success turned out to be a terminus where several movie genres and subgenres converged and curdled, producing a uniquely delicious perfume of everlasting cynicism. Inhale deeply. And...

Sep 8, 2009 “It’s not my fault that I’m Japanese . . . yet it’s my worst crime that I am!” The words are those of Kaji, hero of The Human Condition (1959–61), but in his anguish and existential despair, he also speaks...

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