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The First Monday in May

True/False 2025

The Daily

Feb 27, 2025 Along with the premieres and parades, this year offers an oddity from Michael Almereyda and Courtney Stephens.

Nov 30, 2020 Channel Calendars As the year draws to an end, we’re turning our gaze toward things to come, with an international, intergalactic program of Afrofuturist visions of Black creativity, resistance, and freedom. That’s just the beginning of our holiday bounty: we’ve...

Jul 3, 2020 A new issue of Cinema Scope, a State of Cinema address from Olivier Assayas, and the Ultimate Summer Movie Showdown are among this week’s highlights.

October Books

The Daily

Oct 23, 2024 This month brings new books on Brian De Palma, Tobe Hooper, unhappy writers, and classic documentaries.

May 21, 2021 On our minds this week: John Schlesinger, Nathaniel Dorsky and Jerome Hiler, Marguerite Duras, Agnès Varda, and David Cronenberg.

Jun 24, 2020 It was audiences, not critics, that made hits out of such movies as St. Elmo’s Fire (1985), Batman Forever (1995), and Phone Booth (2002).

Apr 6, 2018 Angela Schanelec’s films “represent the most innovative use of ‘conventional’ editing in narrative cinema since Pialat who, along with Bresson, has been a clear influence,” writes Michael Sicinski for the Notebook. “Schanelec’s contribution is what we might call the ‘epistemological...

BAMcinemaFest 2017

The Daily

Jun 14, 2017 New York’s BAMcinemaFest opens tonight with Aaron Katz’s Gemini and closes on June 24 with Alex Ross Perry’s Golden Exits. “Now celebrating its ninth year, this modest yet prestigious festival, so shrewdly curated, so reliably comprehensive a treasury of contemporary...

May 25, 2017 New York. “You can’t go wrong with a retrospective of Ernst Lubitsch, whose movies still sparkle with urbanity and sly wit,” writes Neil Genzlinger in the New York Times. “Film Forum serves up a feast of them beginning Friday, June...

Apr 15, 2020 While three parallel programs have cancelled, Cannes still holds out hope for a 2020 edition. Here’s the latest on how the virus is affecting cinema.

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