The Criterion Collection
The Daily
Jan 15, 2026 — SXSW and Slamdance unveil full lineups, and the Berlinale fills out its Forum, Panorama, Generation, and Classics programs.
On the Channel
Dec 12, 2023 — Channel Calendars Kick off the new year with a new favorite movie! There’s plenty to choose from in January, including a heap of catnip for fans of film felines, a spotlight on classic screen siren Ava Gardner, the gripping New...
The Daily
Sep 21, 2018 — This week’s round of five highlights begins with a new column and a new issue of Film Quarterly.
May 24, 2011 — In 1938, Charles Chaplin deposited with the Library of Congress a script for a film to be called The Dictator, and told the press it was a project in which he would play a double role. He clearly had Hitler...
Aug 14, 2006 — The appearance of Eric Rohmer’s Six Moral Tales in the midst of the sixties’ sexual revolution brought unexpected sobriety to the European sexual drama and the comedy of erotic manners. Their stateside popularity successfully challenged the sauciness and candor audiences were...
The Daily
May 14, 2026 — Jane Schoenbrun’s third feature is met with raves, while three other early entries are seeing mixed reviews.
Oct 22, 2021 — Sexuality—how one defines it, lives with it, hides it, shuns it, or wields it—is inextricable from matters of socioeconomic class, though rare is the American film that centralizes this intersectional reality. Americans have long been encouraged to buy into the...
The Daily
Jul 23, 2017 — “Exploding across the stressed out summer of 2017 like a powder keg thrown into a room that’s already on fire, Kathryn Bigelow’s hectic but harrowing docudrama account of the 1967 Detroit riots is inevitably as concerned with the persistence of...
Apr 27, 2014 — A leading light of commedia all’italiana, Dino Risi specialized in fleet, satirical takes on contemporary Italian culture, and this road-trip smash was his most trenchant.
Essays
Apr 25, 2005 — Andrzej Wajda’s first feature film marks the beginning of the Polish School, the paradigm of Polish cinema that arose from the political and cultural thaw of the mid-1950s.