The Criterion Collection
Nov 2, 2022 — The director of Samson and Delilah and Sweet Country discusses his formative artistic encounters, his eclectic professional background, and on-screen Indigenous representation.
Oct 18, 2022 — Drawing from Latin American folklore, Jayro Bustamente conjures an intimate, supernatural tale that engages with Guatemala’s history of violence.
Sep 28, 2022 — Sarah Maldoror’s only completed narrative feature tracks the Angolan struggle for independence from Portugal and reckons with the interlocking systems of colonialism, capitalism, and patriarchy.
The Daily
Jun 23, 2022 — An intriguing collaboration between Sofia Bohdanowicz, Burak Çevik, and Blake Williams will premiere next month at FIDMarseille.
Essays
Jun 21, 2022 — By centering an empowered Black hero, Gordon Parks reimagined the detective genre and exposed its racial politics.
The Daily
Nov 10, 2020 — Fernando Solanas On October 16, Fernando Solanas, best known for codirecting the landmark essay film The Hour of the Furnaces (1968) with Octavio Getino, announced on Twitter that he and his wife, Angela Correa, had both tested positive for COVID-19....
May 21, 2020 — Deep Dives “Right then, get dressed!” my mother sang out once a year when I was a child. “We’re going down the Lane,” and I was at the front door with my coat on before she was. The Lane was...
Features
Aug 9, 2018 — An annual destination for cinephiles from around the world, this film festival in Bologna is a magical place to discover the richness of cinema’s past.
Feb 27, 2018 — Director Tony Richardson refracts the bawdy spirit of the 1960s through this brilliantly distilled take on an eighteenth-century picaresque.
The Daily
Feb 12, 2018 — In “Twin Peaks: The Return, or What Isn’t Cinema?,” a four-part essay at Reverse Shot, Nick Pinkerton first stakes out a position. Referring to one of Marcel Duchamp’s most famous pieces, he writes: “For a hundred years now it’s been...