Dec 9, 2013 The critic and WCP executive director offers a personal take on art cinema and a primer on the project’s scope and mission.

Oct 11, 2013 Did You See This?• Good-bye to the redoubtable Stanley Kauffmann • Remembering Kumar Pallana • Searching for Satyajit Ray in Kolkata • Movie love is in the air. • Wes Anderson’s Royal history • The eternal mysteries of Jean Cocteau...

Aug 16, 2013 Did You See This?• Gorgeous title designs in motion • Multiple angles on Days of Heaven • Spotlighting Bruce Goldstein, retro movie maven • A return to Powell and Pressburger’s A Canterbury Tale • Movie directors on TV • Glimpses...

Jun 11, 2013 Ingmar Bergman’s classic character study is a moving depiction of aging and regret but also joy and forgiveness.

Dec 11, 2012 Philip Glass’s experimental operas and symphonic works of the 1960s and ’70s laid the groundwork for his hypnotic Qatsi scores.

Nov 6, 2012 When Akira Kurosawa made Rashomon (1950), he was a forty-year-old director working near the beginning of a career that would last fifty years, produce some of the greatest films ever made, and exert a tremendous and lasting influence on filmmaking...

Oct 23, 2012 After winning an Oscar, John Schlesinger used his newfound artistic freedom to make a personal film in which homosexuality is treated as groundbreakingly ordinary.

Jul 19, 2011 In May 1956, an Indian film was screened at the Cannes Film Festival. It wasn’t well attended. The Indian delegation had done little to promote it, arranging only a single midnight screening that clashed with a party in honor of...

Oct 12, 2010 One Every movie is two stories: the one it tells and the one that remains to be told about it by those involved in its creation. These two narratives converge in a certain current of the cinema of the past...

Oct 18, 2009  So many worlds stream in from every direction in Monsoon Wedding that it comes to seem as if the whole globe is converging on a single family home in New Delhi: relatives from Houston, from Australia, from Dubai (“Muscat, actually”);...

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