Run for Cover

Dec 26, 2018 — Members of the Criterion tech team headed to India last month to teach some practical skills in moving-image conservation at the Film Preservation & Restoration Workshop.

Oct 6, 2017 — Back when Projections was still called “Views from the Avant-Garde,” the New York Film Festival described its program as a “yearly touchstone for experimental film.” Now neither of those terms—“avant-garde” and “experimental”—are quite broad enough to encompass all that goes...

Mar 29, 2017 — Film journalist Mark Harris stopped by Criterion to chat about the growing pains that five Hollywood filmmakers experienced during World War II.

Jul 7, 2023 — This week gives us a new Cinema Scope, an Ernst Lubitsch podcast, and an interview with John Woo.

Nov 29, 2017 — The Sundance Film Festival, whose 2018 edition will run from January 18 through 28, has announced the lineups for its U.S. Dramatic and Documentary Competitions, World Cinema Dramatic and Documentary Competitions, and its Next, Spotlight, Premieres, Documentary Premieres, Midnight, and...

Mar 7, 2017 — With his unique blend of British realism and romantic fatalism, director Andrew Haigh exposes the quiet desperation at the heart of a long marriage.

Jul 14, 2008 — Linguistic cosmopolitanism in the Babel-like world of commerce and culture is one of Jacques Tati’s several satirical targets.

Dec 16, 2021 — Whether their lists run to ten or fifty films, critics argue their cases for the films they’ve put on top.

Dec 5, 2018 — The New Beverly reopens in Los Angeles and Film Comment offers fresh coverage of the repertory scene in New York.

Jul 13, 2021 — One of the most remarkable Black films released in the 1990s, Bill Duke’s Deep Cover (1992) is an uncompromising film noir that uses the so-called war on drugs as its backdrop. The story follows Russell Stevens (Laurence Fishburne) as he...