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IFFBoston 2026

The Daily

Apr 22, 2026 Boots Riley and Olivia Wilde both have two films at this year’s edition of New England’s largest film festival.

Oct 16, 2020 First Person One of the internet’s more delightful creations is a compilation of Aaron Sorkin quotes assembled by a man named Kevin Porter in 2012. Its purpose is to expose the screenwriter’s propensity for repetition. Some of the examples, plucked...

Apr 3, 2020 Conversations with Frederick Wiseman and Quentin Tarantino and rediscoveries of forgotten critics and an Arab filmmaker are among this week’s highlights.

Nov 21, 2008 “Oh! What have you done to me? What an impossible task. To pick ten titles from the Criterion Collection is difficult enough, but to put them in any kind of order would defeat Ockham's sharpest razor,” exclaimed Nicolas Roeg, director...

Sep 5, 2017 Frederick Wiseman “is 87 now,” as Tom Charity notes in the new issue of Cinema Scope. “It may be a little presumptuous to suggest he’s reaching for a summation, but it is sure that he’s only making the films he...

Aug 26, 2017 Alexandro Segade covers a lot of ground in his piece for Artforum on Sense8, the Netflix series created by Lana and Lilly Wachowski and J. Michael Straczynski which was cancelled this summer but granted one last two-hour episode for tying...

Dec 20, 2017 Eric Kohn introduces the results of IndieWire’s 2017 Critics Poll: “More than 200 critics and journalists from around the world participated in the eleventh edition of the poll, making it the largest international critics survey of its kind.” Jordan Peele’s...

Nov 19, 2020 One Scene Acutely attuned to the drama of intimate relationships and interactions, writer-director-producer Sean Durkin mines their dynamics for his quietly simmering character studies. Best known for his feature debut, Martha Macy May Marlene, which premiered at Sundance in 2011 and...

Nov 29, 2018 First Reformed, Eighth Grade, Roma, and The Rider emerge as early favorites.

Dec 7, 2017 “After mining the American soul (Boogie Nights, There Will Be Blood, The Master) as brilliantly as any working director has in the last fifty years,” begins Robert Abele at TheWrap, “Paul Thomas Anderson moves to 1950’s England for Phantom Thread,...

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