My Cousin

Apr 20, 2018 — Let’s catch up with the new issue of cléo journal, this one dedicated entirely to the work of Agnès Varda. When the journal launched five years ago, it took its name from Varda’s 1962 classic, Cléo from 5 to 7....

Apr 3, 2018 — A little over a month ago now, we posted Marvel mon amour, a video by Daniel Raim in which Stan Lee looked back on working with his good friend Alain Resnais (above with Olga Georges-Picot in Cannes in 1968) on...

Feb 26, 2018 — The new Spring 2018 of Cineaste is out, and online, we find just a few previews of what’s inside, but a whole lot of web exclusives. “The Nixon presidency? Suddenly, it seems almost quaint,” writes Jonathan Kirshner. “But it was...

Dec 26, 2017 — On January 5, First Look 2018 will open at the Museum of the Moving Image in New York with the U.S. premiere of Blake Williams’s PROTOTYPE, “a work of speculative fiction that takes its starting point from the 1900 hurricane...

Nov 7, 2017 — “Many aspects of time, from the dry precision of date and hour to the flights of remembrance and regret, are distilled in a single scene from Michael Powell and Emeric Pressburger’s The Life and Death of Colonel Blimp (1943),” writes...

Oct 12, 2017 — Tonight, Griffin Dunne will be at the Walter Reade Theater to take part in a Q&A following a screening of the documentary he’s made about his aunt, Joan Didion: The Center Will Not Hold. The New York Film Festival will...

Jul 24, 2017 — On Friday, we posted an entry on all that’s known—and speculated—about the seventy-fourth edition of the the Venice International Film Festival running from August 30 through September 9. Over the weekend the festival filled out the juries. Annette Bening will...

Jun 26, 2017 — “There can be no debate over the fact that for most of its history Cannes has been the key launching pad for what will account for a fair percentage of the year’s most important films,” grants Cinema Scope editor Mark...

Jun 21, 2017 — Those lists of twenty-five best films of the twenty-first century (so far) keep coming, and J. Hoberman’s now posted his, too. He’s customized the rules somewhat, and we can be glad: “My single ‘best’ film-object”—Christian Marclay’s The Clock (2010)—“is followed...

Jun 2, 2017 — A new online quarterly, Film Colossus, has launched with an issue focusing on movie endings. Travis Bean cites Clayton Dillard’s interview with Apichatpong Weerasethakul that ran in Slant last year, specifically the Thai filmmaker’s observation that “there are really two...