More Than Ever

Feb 5, 2010 — Robert Altman: The Oral Biography (Knopf) begins with an epigram that pretty well sums up Altman’s attitude toward “truth” and “realism” in cinema and life. “I don’t think anybody remembers the truth, the facts,” the great filmmaker said. “You remember...

Dec 1, 2009 — The first words we hear are Sam Cutler’s: “Everybody seems to be ready—are we ready?” We were nowhere near ready for what was to come, there at the bitter end of the sixties. I remember that rainy day so well,...

May 5, 2009 — Irecently had occasion to show Ivan the Terrible in a course on forties world cinema I’m teaching at Chicago’s School of the Art Institute, and found it more mind-boggling than ever. This has always been the Eisenstein feature that’s given...

Apr 23, 2009 — This interview, conducted by Michael Henry, first appeared in the May 1978 issue of Positif.

May 9, 2004 — With his vibrant chronicle of an Oedipal revolt, Volker Schlöndorff captures the source novel’s singular recreation of the German past.

Apr 28, 2003 — François Truffaut’s third Antoine Doinel installment is a perpetual juggling act by which harsh truths are disguised as light jokes.

Oct 30, 2000 — Perry Henzell’s reggae-infused outlaw film reflects the political climate of the times, when anti-government movements were sweeping America and the world.

Jan 7, 1985 — King Kong is unique in motion picture history. In the 51 years since its original release, its particular combination of unbridled imagination and ingenious craftsmanship have never been equalled. Not only has it stood the test of time, but King...

Jul 18, 2023 — In her music, her films, and her often stormy romances, Birkin captivated us for more than half a century.

Dec 1, 2015 — Critic Todd McCarthy takes an inside look at Michael Ritchie's outdoor drama, which he calls “spare, cut to the bone, as fine as dry powder. Had Hemingway ever written about competitive skiing, this would have been the right style with...