The Criterion Collection
Jul 15, 2014 — Ihave an unusually easy way of remembering when I first became fascinated by Robert Bresson’s films. Pickpocket (1959) was the first one I saw, at the old Orson Welles theater in Cambridge, Massachusetts, in my late teens; it was also...
Essays
Feb 15, 2012 — Comedy evolves. We long ago bid adieu to the physical acrobatics of Buster Keaton, the wisecracks of Bob Hope, the witty repartee of Cary Grant and Irene Dunne. The now-reigning comedy of embarrassment, seen in the films of Judd Apatow...
With his stunning visuals, ambiguous narratives, and still relevant focus on modern alienation, this Italian master ushered in a new European art cinema permeated by a distinctly contemporary ennui.
Aug 30, 2011 — “It is much less a film than it is myself,” Jean Cocteau wrote to a friend at the time he was making Orpheus (1950), “a kind of projection of the things that are important to me.” As with many of...
May 13, 2011 — Craig McCall’s labor of love documentary Cameraman: The Life and Work of Jack Cardiff, a darling of the film festival circuit over the past year, opens today in New York and in a couple of weeks in Los Angeles. A...
Apr 23, 2009 — This interview, conducted by Michael Henry, first appeared in the May 1978 issue of Positif.
A lifelong cinephile, this French filmmaker reinvigorated cinema throughout the sixties and seventies by breaking from the industry’s bloated “tradition of quality.”
On the Channel
Nov 18, 2018 — This diva of the screen brought a touch of elegance and no-nonsense wit to her roles in Waiting Women, Smiles of a Summer Night, and other Bergman gems.
The acclaimed photographer and artist talks about bonding with his dad over films in the collection, praises the subtle power of Ozu’s framing, shares his connection to Garrett Bradley’s depiction of Black American life, and touches on his love for...
Sep 23, 2021 — Gina Prince-Bythewood’s iconic debut portrays Black love without forcing its heroine to compromise herself and her ambitions.