Given

Mar 28, 2025 — The week brings new issues of Film Quarterly and Cineaste and conversations with Michael Mann and Miguel Gomes.

Mar 25, 2025 — Unfettered by the precepts of bourgeois morality and the nuclear family, the characters in Alan Rudolph’s romantic drama struggle to find happiness as they navigate love’s whims and ambiguities.

Mar 13, 2025 — Top prizes in the narrative and documentary feature competitions go to Amy Wang and Benjamin Flaherty.

Feb 25, 2025 — Misunderstood on release and mishandled by its distributor, this genuine cult classic opened the door to a radical new way of making films.

Feb 25, 2025 — Like many of the characters found throughout the director’s oeuvre, the alternative-press staffers at the center of her sophomore feature are bound up in a perpetual tug-of-war between past and present realities.

Feb 18, 2025 — In her mainstream breakthrough, director Joan Micklin Silver envisions New York City through the eyes of a complicated, searching woman trying to figure out her place in the world.

Feb 11, 2025 — Jean-Luc Godard’s first English-language narrative feature is a postapocalyptic fantasy that shifts from antic humor to tragic grandeur while challenging deep-rooted assumptions about what a Shakespearean movie should be.

Feb 3, 2025 — The vibe in Park City was unsettling, but critics and juries discovered plenty of films to fall for.

Jan 28, 2025 — We’re reading about Wes Anderson and David Cronenberg and looking forward to books on David Lynch and Pedro Almodóvar.

Jan 21, 2025 — Lynchian may be impossible to define, but you know it when you see it.