The Criterion Collection
Jan 26, 2023 — This great director from the golden age of Mexican cinema drew upon a wide range of styles to explore the conflict between tradition and modernity.
The Daily
Jan 6, 2023 — The interdisciplinary Canadian artist was best-known in the States for such landmark films as Wavelength (1967) and La région centrale (1971).
Dec 6, 2022 — Known for their austerity and shocking moments of violence, the Austrian director’s first three films cultivate a kind of humanism in their dogged refusal to coddle the viewer.
Oct 28, 2022 — The role of the vampire has given talented actors throughout film history—from Bela Lugosi to Catherine Deneuve—the chance to embody physical and moral extremity.
Sep 28, 2022 — Sarah Maldoror’s only completed narrative feature tracks the Angolan struggle for independence from Portugal and reckons with the interlocking systems of colonialism, capitalism, and patriarchy.
Sep 28, 2022 — A long-obscure landmark of the Iranian New Wave, Mohammad Reza Aslani’s daringly ambiguous portrait of feudalism’s demise mirrors the revolutionary times in which it was made.
The Daily
Sep 6, 2022 — Here’s an overview of how some of the contenders are faring with critics in Venice.
Aug 16, 2022 — The Safdie brothers drew inspiration from their childhood memories for their first feature as codirectors, a terrifying yet wondrous portrait of an unpredictable father.
Essays
Jun 21, 2022 — Two eras of Hong Kong history collide in this exquisite ghost story, which solidified director Stanley Kwan’s status as one of cinema’s truest romantics.
The Daily
May 23, 2022 — A contemporary reimagining of Au hasard Balthazar becomes an unlikely contender for the Palme d’Or.