The Criterion Collection
Aug 23, 2016 — Tony Richardson’s era-defining exploration of sexuality, race, and working-class life brought a uniquely female perspective to England’s Free Cinema movement.
Mar 18, 2016 — The French filmmaker discussed revisiting the world of his breakthrough feature, his desire to communicate with a younger generation, and his signature cinematic flourishes.
Short Takes
Mar 10, 2016 — From its very earliest years, the cinema has offered a uniquely powerful tool for artists seeking to give new life to great works of literature. The creations of literary icons have served as the inspiration for some of film’s most...
Essays
Jan 21, 2016 — In Gilda, Charles Vidor’s “violent, sexual, chaotic” noir, the director focused on Rita Hayworth’s skills as an actor and a dancer, eliciting a performance that became iconic in its own right and made her an international superstar.
Nov 4, 2015 — In the midst of a tumultuous period in his life and career, Ingmar Bergman made one of his most ebullient comedies.
Sep 24, 2015 — Bruce Beresford critiques the British colonialist era in this precise, layered adaptation of a 1939 novel by Joyce Cary.
Aug 12, 2015 — Director Karel Reisz and writer Harold Pinter’s brilliant adaptation of John Fowles’s novel focuses on the experiences of women in two radically different eras.
Jul 23, 2015 — The composer is credited with scoring eleven films for Bergman—among them Smiles of a Summer Night (1955), Wild Strawberries (1957), and The Magician (1958)—the last being The Virgin Spring (1960), with its evocative use of medieval instruments.
Apr 29, 2015 — Peter Yates's crime drama is a haunting, singular experience, brutal and minutely observed, with a remarkably authentic sense of place.
Essays
Sep 24, 2014 — Roman Polanski’s dark vision is the perfect fit for Shakespeare’s grim tale of treachery and ambition.