The Criterion Collection
The Daily
Oct 7, 2019 — Critics respond to the New York Film Festival’s selection of new moving image art.
Aug 15, 2019 — The Film Lucille Carra’s 1991 film The Inland Sea is a selective adaptation of the classic 1971 travelogue/memoir of the same name by the renowned expert on all things Japanese—and for cinephiles, the man who was most profoundly instrumental in...
The Daily
Aug 12, 2019 — This month we’re looking at titles by or about Chantal Akerman, Orson Welles, Chris Marker, Kathleen Collins, and many more filmmakers and writers.
Features
Jul 10, 2019 — En route to the Czech Republic’s Karlovy Vary Film Festival in the summer of 2006, I stopped off for some sightseeing in Prague. Having dutifully made the rounds of the city’s hopping tourist spots, I retreated to my bare-bones hotel...
The Daily
Jun 4, 2019 — Before The Dead Don’t Die opens in theaters, two series offer crash courses on a singular oeuvre.
The Daily
Mar 26, 2019 — As BAM prepares to present the largest U.S. retrospective yet, we look back on the singular oeuvre.
Essays
Mar 21, 2019 — “The world is full of skeptics,” Detour’s Al Roberts struggles to explain, in voice-over, while on-screen we’re pondering Vera’s dead body. “I know. I’m one myself . . .”Even now, closing in on seventy-five years after the Producers Releasing Corporation...
On the Channel
Oct 8, 2018 — A vibrant movie theater in the college town of Missoula, Montana, takes the spotlight in the Criterion Channel series Art-House America.
Features
Aug 8, 2018 — The concrete bunker looms up surreally from the rolling green countryside, a huge brutalist fortress sprouting from a hillside thick with wildflowers. This is the Library of Congress’s National Audio-Visual Conservation Center in Culpeper, Virginia, also known as the Packard...
Aug 3, 2018 — Did You See This? returns, gathering five of the most interesting items of the past week.