Attraction

Dec 12, 2017 — Alexander Payne skewers the absurdities of American politics in this tale of a high-school presidential campaign gone ugly.

Dec 7, 2017 — “After mining the American soul (Boogie Nights, There Will Be Blood, The Master) as brilliantly as any working director has in the last fifty years,” begins Robert Abele at TheWrap, “Paul Thomas Anderson moves to 1950’s England for Phantom Thread,...

Dec 4, 2017 — Last Wednesday, the Sundance Film Festival unleashed the entire features lineup for its 2018 edition, running from January 18 through 28. Today, the festival’s adding lineups for a new Indie Episodic section as well as its Shorts and Special Events...

Nov 16, 2017 — One of the masters of the French crime film explains how the film-noir form serves as a convenient vehicle for exploring such elemental human themes as freedom and betrayal.

Nov 14, 2017 — Donna Deitch combined tropes of lesbian pulp romance with the sheen of mainstream filmmaking in her beloved debut feature.

Nov 7, 2017 — A haughty socialite is torn between the affections of three men in George Cukor’s blissful comedy of manners.

Oct 28, 2017 — We begin with a few translations. Asymptote lives up to its own billing as “the premier site for world literature in translation” with the presentation of Adam Kuplowsky’s renderings in English of some observational work by Yasujiro Ozu. “These three...

Oct 16, 2017 — J. Hoberman will be at Light Industry in New York tomorrow evening to introduce a program of films he’s calling Against Riefenstahl: Charles A. Ridley’s The Lambeth Walk (1940), Frank Capra and Anatole Litvak’s Why We Fight: The Nazis Strike...

Oct 12, 2017 — Tonight, Griffin Dunne will be at the Walter Reade Theater to take part in a Q&A following a screening of the documentary he’s made about his aunt, Joan Didion: The Center Will Not Hold. The New York Film Festival will...

Oct 10, 2017 — Two singing mermaid sisters take 1980s Poland by storm in this extravagantly mounted musical-horror hybrid.