Another Dawn

Apr 2, 2017 — What defines noir acting? In her latest Dark Passages column, Imogen Sara Smith examines the stylistic variety in some of the genre’s most iconic male performances, including Burt Lancaster in The Killers and Ralph Meeker in Kiss Me Deadly.

Feb 5, 2017 — Kirsten Johnson interrogates the thorny ethics of nonfiction filmmaking in her intriguingly elliptical blend of essay, travelogue, and memoir.

Jan 9, 2017 — A feast of whip-smart banter, Howard Hawks’s protofeminist take on newsroom politics is the most grown-up of all remarriage comedies.

Oct 31, 2016 — In her latest column, critic Imogen Sara Smith explores landmark moments in the intersection of noir and the western, including Marlon Brando’s One-Eyed Jacks.

Oct 6, 2016 — We’re excited to share the latest news about the launch of FilmStruck and the Criterion Channel.

May 24, 2016 — In The Player, Robert Altman’s early nineties comeback film, the director brilliantly skewers Hollywood—getting all the details right, as only he could—while constructing his own kind of Hollywood Movie.

Apr 12, 2016 — Howard Hawks’s 1939 aviation classic Only Angels Have Wings is an exemplar of the auteurist Hollywood entertainer’s capability to fuse “a personal existential statement and a delightful piece of showmanship.”

Mar 3, 2016 — By the time Charlie Chaplin began work on what would be his first feature-length film, in 1919, he had been sneaking up to the longer format for some time.

Nov 25, 2015 — Akira Kurosawa's 1952 film about one man’s mortality offers a study in postwar Japan, Kurosawa vs. Ozu, and the realization that knowing how to die requires learning how to be alive.

Nov 4, 2015 — In the midst of a tumultuous period in his life and career, Ingmar Bergman made one of his most ebullient comedies.