The Criterion Collection
Nov 29, 2018 — 112 films, including new work from Joanna Hogg, Stanley Nelson, Kim Longinotto, and Ritesh Batra.
The Daily
Oct 19, 2018 — Here’s a taste of what the critics have been saying about the nominees.
Essays
Oct 16, 2018 — Seen as a light-hearted farce upon its release, this star-studded comedy by Hal Ashby stands as one of Hollywood’s most prescient portraits of post-Watergate politics.
The Daily
Sep 27, 2018 — A collection of previews of the fifty-sixth edition and a fresh round of raves for the latest from Yorgos Lanthimos
The Daily
Sep 6, 2018 — New films by Jennifer Kent, Jacques Audiard, Paul Greengrass, and Pablo Trapero.
Jul 17, 2018 — Without doubt, Steven Soderbergh’s sex, lies, and videotape struck a nerve when it was released in 1989. Astonishingly, it still does today. Among the most storied of American independent films, it debuted at the U.S. Film Festival (soon to be renamed the...
Essays
Jun 17, 2018 — The stakes are high. An unknown entertainer newly arrived in a foreign country prepares for her first performance, under pressure to make a hit with a restless, rowdy audience. It is a hot night; the crowd exudes a collective humidity,...
The Daily
May 16, 2018 — Critical reception is subdued compared to the raves for Happy Hour (2015).
The Daily
Apr 20, 2018 — “Although her oeuvre to date is wide-ranging,” writes Melissa Anderson at 4Columns, Claire Denis’s “most celebrated films are those that probe, usually elliptically, the legacy of French colonial rule in Africa, as seen in Chocolat (1988), her semiautobiographical debut feature;...
The Daily
Apr 4, 2018 — “It has been half a century since Werner Herzog released his first full-length feature, Signs of Life (1968) which depicts a wounded German WWII paratrooper losing his mind on a torpid Greek island,” writes Joseph Hincks, introducing his interview for...