The Criterion Collection
Nov 19, 1992 — In Hieronymous Karl Friedrich, Baron von Munchausen, the greatest liar in history outside of politics, director Terry Gilliam has found perhaps his closest fictional counterpart.
Essays
May 25, 1992 — Cecil B. DeMille’s spectacle turned out to be the silent screen’s most elaborate realization of “the greatest story ever told.”
Essays
Dec 9, 1991 — We used as much of the actual detail of physical things and of technique as we could possibly cram in, and as many players reflecting the endless variety of character and emotion of the real men as dramatization would allow.
Essays
Jul 15, 1991 — For only his second studio film, Peter Bogdanovich chanced directing an adaptation of Larry McMurtry’s elegiac novel about teenagers who come of age in a dying Texas town in the early fifties.
Essays
Jun 12, 1991 — I didn’t get very far with my first script collaborator, Kuba Goldberg. Then Jerzy Skolimowski appeared on the scene.
Essays
Mar 11, 1991 — Lawrence Kasdan’s second directorial effort is a story about the sixties generation's idealism—as well as his most personal movie.
Essays
Oct 31, 1988 — This ingenious and entertaining crime thriller marks what its director Stanley Kubrick would like to think of as the real beginning of his career.
Essays
Sep 5, 1988 — A wild mixture of gangster thriller, slapstick comedy, and bittersweet romance, François Truffaut’s second film was one of the signal works of the French New Wave.