The Criterion Collection
Sep 28, 2022 — A long-obscure landmark of the Iranian New Wave, Mohammad Reza Aslani’s daringly ambiguous portrait of feudalism’s demise mirrors the revolutionary times in which it was made.
The Daily
Mar 15, 2022 — A captivatingly unclassifiable leading man in the 1980s, Hurt often returned to his first passion—the theater.
The Daily
Jan 24, 2022 — Two new books on the wildly inventive comedian and filmmaker make a complementary pair.
On the Channel
Sep 29, 2021 — Celebrate the spooky month with our collection dedicated to cinema’s most legendary monsters and a series of chilling home-invasion thrillers.
On the Channel
Aug 8, 2021 — This month on the Channel, dive into the films of John Huston, Jean Harlow, Josephine Baker, and other cinematic icons.
Nov 12, 2020 — All five films up for best feature are directed by women.
Jan 6, 2009 — Bernardo Bertolucci’s Oscar-winning film is not just an epic but also a small film, one in which, somehow or other, the scope of David Lean has been enriched with the vision of Ozu.
Apr 23, 2007 — Louis Malle’s documentary work adopts certain tenets of cinéma direct—improvisation, minimal crew, the refusal to organize reality—and applies them to a consistently class-conscious, outsider perspective.
The Daily
Aug 27, 2026 — She was a winning presence on the big screen, even if her movies were only a fraction of her monumental impact on popular culture.
The Daily
Feb 6, 2026 — There’s an AI-driven reconstruction of The Magnificent Ambersons underway, a restoration of Michael Almereyda’s Nadia in theaters—and more.