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The Fall

Mar 17, 2026 In her first and only theatrical feature, director Lynne Littman presents an unbearably intimate vision of apocalypse, focusing on the effects of a nuclear blast on one suburban American family.

Jul 31, 2025 Series celebrating a giant of American cinema are on in Boston, Chicago, Berkeley, and Los Angeles.

Dec 8, 2023 Roy Waller (Nicolas Cage), the jittery protagonist of Ridley Scott’s 2003 crime comedy Matchstick Men, doesn’t like to think of himself as a common crook. “I’m a con artist,” he insists, and—in a frenzy of self-justification—further explains: “They give me...

Dec 5, 2023 While 2023 is sorted, Sight and Sound invites critics and filmmakers to revisit some of their all-time favorites.

Nov 29, 2023 Rudolph Valentino, Anna May Wong, Harold Lloyd, and Pola Negri will light up the Castro’s big screen on Saturday.

Sep 19, 2023 Franz Kafka’s The Trial, the unfinished tale of a man living under arrest and prosecution for an unspecified offense, is perhaps the iconic author’s most paradigmatic text. Following its posthumous publication in 1925, and its translation into English by Willa...

First Look 2022

The Daily

Mar 16, 2022 The dark shadow of Putin’s war hangs over much of this year’s program.

Jan 19, 2022 The competition will premiere new work from Hong Sangsoo, Claire Denis, Ursula Meier, Denis Côté, Ulrich Seidl, and Paolo Taviani.

Mar 23, 2021 “Pleasure,” wrote Samuel Butler in The Way of All Flesh, “is a safer guide than either right or duty.” Surely this is true when it comes to watching films. While cinema can be edifying, most of us go to the...

Nov 25, 2020 A camera dollies down a hallway into the interior of a nursing home: the opening of Martin Scorsese’s The Irishman (2019) prompts a foreboding that seeps into all that follows. The Five Satins’ 1956 doo-wop classic “In the Still of...

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