The Criterion Collection
Sneak Peeks
Sep 10, 2012 — The term quadrophenia had multiple meanings for the Who. In both the 1973 album and the 1979 film titled with it, it is meant to evoke the personality of Jimmy, the protagonist, divided into four parts, each in conflict with...
Essays
Jan 17, 2012 — “I felt they showed more of me than they’d said they were going to,” Catherine Deneuve remarked to Pascal Bonitzer in 2004, about the making of Luis Buñuel’s 1967 Belle de jour. “There were moments when I felt totally used....
Essays
Aug 20, 2001 — Preston Sturges’s generous-hearted satire achieves a synthesis that is both terribly funny and deeply moving.
Essays
Jan 11, 1999 — David Lean followed his prodigious adaptation of Charles Dickens’ Great Expectations with this brilliant crystallization of Dickens’ Oliver Twist; or, the Parish Boy’s Progress. It deploys the cinema’s special powers of dash and immediacy to convey all the venturesomeness and...
Nov 19, 2018 — The great German director reflects on her first experience with Ingmar Bergman’s classic meditation on mortality, a film that opened her eyes to the possibilities of cinema.
Visual Analysis
Jul 31, 2018 — The award-winning director of The Rider explores the deep respect for nature and subjective human experience in Terrence Malick’s masterful vision of early seventeenth-century America.
Dec 9, 2002 — What makes Jean-Luc Godard’s classic so unique a viewing experience today, even more than in 1963, is the way it stimulates an audience’s intelligence as well as its senses.
The writer and director praises Charles Burnett's portraits of families, talks about his meaningful connection to The Gospel According to Matthew, and shares his experience having Stan Brakhage as a professor.
The actor talks about what Andrei Tarkovsky’s films have taught him about stillness in cinema, reflects on the various adaptations of The Talented Mr. Ripley, and shares his formative experience of seeing London on-screen in My Beautiful Launderette and Mona...
The award-winning actor talks about his childhood experience seeing Carnival of Souls and his love for low-budget horror treasures, shares how Blue Velvet ignited his desire to become an actor and why Rashomon always moves him to tears, and praises...