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In girum imus nocte et consumimur igni

Sep 25, 2024 A dozen newly restored films from the 1970s, ’80s, and ’90s will screen in this year’s program.

Sep 24, 2024 Aaron Schimberg lives in New York. He made two commercially disastrous features, but the second one, Chained for Life, was well received by critics. A Different Man is his third film.

Sep 20, 2024 With their virtuosic celebrations of death, giallo films reflect the air of paranoia and fear that haunted Italian society in the 1960s and ’70s, a period when the country was undergoing dramatic, violent changes.

Sep 19, 2024 In honor of our fortieth anniversary, we’re taking the Closet on the road and opening the door to everyone. Come in, explore the collection, and make your own Closet video!

Sep 12, 2024 In celebration of our fortieth anniversary, Criterion has built a replica of our famous films closet inside an eighteen-foot delivery van, and later this month, we’ll be taking our Criterion Closet Picks show on the road.

Sep 11, 2024 Marianne Jean-Baptiste plays a deeply frustrated woman in Leigh’s first film set in contemporary Britain since Another Year (2010).

Sep 10, 2024 Andrew Haigh explores loss and queer loneliness in this exquisite, twilit tangle of lives and loves separated by space, time, and personal defenses.

Plate o’ Shrimp

The Daily

Sep 6, 2024 Alex Cox discusses his first and next films, Warhol rarities screen in New York, and a courtroom drama revisits the culture wars of 1970s France.

Telluride 2024

The Daily

Sep 4, 2024 The festival launched RaMell Ross’s Nickel Boys and brought in a slew of critical favorites fresh from their premieres in Venice.

Aug 28, 2024 Critics look ahead to their most-anticipated films in Venice, the festival that kicks off the season.

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