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Nov 18, 2025 — A pre-Code aviation epic that makes pioneering use of the era’s innovations in cinematic color and sound, Howard Hughes’s directorial debut was Hollywood’s first modern portrait of World War I.

Nov 14, 2025 — This week: Buñuel revivals, the Rock Hudson centenary, and Mishima’s Japanese premiere.

Nov 13, 2025 — The filmmaker’s memoir is “messy, manic, and shot through with revelation.”

Nov 13, 2025 — The director of Rat Trap and Monologue was an uncompromising artist who helped establish the Indian state of Kerala as a hub of bold political filmmaking.

Nov 12, 2025 — He anchored some of the best films by Kurosawa, Kobayashi, Okamoto, Naruse, and Teshigahara.

Nov 12, 2025 — In this Sundance-award-winning exploration of war and memory, writer Cathy Linh Che shines a spotlight on her parents, who were Vietnamese refugees living in the Philippines when they were cast as extras in Apocalypse Now.

Nov 11, 2025 — “It’s the end of the world, but keep dancing,” says Laxe.

Nov 10, 2025 — Olivia Laing’s second novel is set in mid-1970s Rome, where Fellini is shooting Casanova and Pasolini is at work on Salò.

Nov 7, 2025 — Ira Sachs’s new film opens this week, plus: Joy Williams on Gene Hackman and Claire Atherton’s work with Chantal Akerman.

Nov 6, 2025 — In the run-up to the release of Jay Kelly, the American Cinematheque presents a five-film series.