The Criterion Collection
Jul 9, 2001 — Directed by Bruce Robinson, this eccentric, disquieting satire about Madison Avenue transforms from fevered realism to symbolic fantasy.
Essays
Jun 18, 2001 — Bathed in scarlet hues, Ingmar Bergman’s period drama is his most daring attempt to achieve a dream state on film.
Essays
Jan 29, 2001 — Masahiro Shinoda’s historical drama uses traditional elements of Japanese theater to explore the tension between ethics and eroticism.
Dec 18, 2000 — Elegant humor cloaks despair in Luis Buñuel’s masterwork, wherein greedy characters flee their toxic lives and find refuge in the loneliness of dreams.
Essays
Oct 2, 2000 — The most important of Brian De Palma’s earlier features, Greetings (1968) and Hi, Mom! (1970), resist the commodification of entertainment while charting the development of Jon Rubin (Robert De Niro) from voyeur to filmmaker to urban guerilla. If pictures like...
Essays
Apr 24, 2000 — “Most of Aesop’s fables have many different levels and meanings. There are those who make myths of them by choosing some feature that fits in well with the fable. But for most of the fables this is only the first...
Essays
Apr 24, 2000 — PREFACE Aman who dozes, his mouth half open, in front of a wood fire, lets slip some secrets from that night of the human body that is called the soul, over which he is no longer master. The sentry of...
Nov 1, 1999 — The Unbearable Lightness of Being is a profoundly beguiling movie about sex, love, and rebellion.
Essays
Feb 1, 1999 — After finishing Diabolique, heralded French director-screenwriter Henri-Georges Clouzot (1907–1977) confessed that all he had intended was to make a picture that would “amuse myself” and please a young girl who hid under the covers and asked her father to frighten...