True/False 2026

The Daily

Mar 4, 2026 Twenty-one world premieres, several critical favorites from Sundance, and the True Vision Award for Ross McElwee.

Mar 2, 2026 A New York retrospective offers Eyes Without a Face, naturally, but also rarely screened features and nonfiction shorts.

Feb 26, 2026 This year’s program features a new restoration of a Martin and Lewis comedy in Technicolor and 3D.

Feb 24, 2026 For this existential noir, Joel and Ethan Coen drew inspiration from crime-fiction master James M. Cain’s lean, hard-boiled style and interest in the quotidian world of work.

Feb 23, 2026 Juries, critics, filmmakers, and audiences debated politics from the first through the last day of this year’s edition.

Feb 20, 2026 Steven Soderbergh talks and two retrospectives showcase work by Raymond Depardon and John Schlesinger.

Feb 20, 2026 Since the 1980s, Indigenous artists have turned to documentary filmmaking and a variety of experimental forms to reassert their cultural sovereignty and lay claim to their own narratives.

Feb 19, 2026 In more than forty nonfiction features, he tried, as he said, “to create dramatic structures out of ordinary experience.”

Feb 19, 2026 Though in many ways the quintessential company man, the director brought an intimate understanding of the margins of American society to the films he made for Warner Bros. in the 1930s.

Feb 18, 2026 One of the most versatile and committed actors in cinema, Duvall was also an accomplished writer and director.

Current Page
129
of 517

You have no items in your shopping cart