The Criterion Collection
Interviews
Nov 18, 2015 — On the night of the New York premiere of Gaspar Noé’s controversial new film Love, his 3D cinematic sex odyssey, the French-Argentine provocateur stopped by Criterion with the film’s star, Aomi Muyock.
Aug 12, 2015 — Director Karel Reisz and writer Harold Pinter’s brilliant adaptation of John Fowles’s novel focuses on the experiences of women in two radically different eras.
Aug 3, 2015 — On film noir’s unparalleled roster of resonant titles—Kiss of Death, Out of the Past, and Where Danger Lives, to name three—none is more emblematic or iconographically cogent than Night and the City. Juxtaposing two of noir’s essential, virtually ontological qualities,...
Jul 22, 2015 — Stephen Frears brings a playful and shimmering cinematic quality to Hanif Kureishi’s multilayered script about a Pakistani immigrant community in Margaret Thatcher–era London.
Apr 14, 2015 — Before he turned Vienna into a labyrinth of shadows with The Third Man, Carol Reed brought film noir to Belfast for this stylishly fatalistic tale of a man caught up in political violence.
Features
Mar 25, 2015 — Long unheralded and at last rediscovered, actor-director Robert Montgomery’s Ride the Pink Horse is one of the key Hollywood features of 1947, the year film noir flooded the screen like a ruptured reservoir of India ink. Adapted from the popular...
Features
Mar 19, 2015 — The author recalls his encounters and correspondence with the filmmaker.
Dec 16, 2014 — The prolific and popular Keisuke Kinoshita made his fascinating first movies at a time of great difficulty and censorship, yet their spirit and brilliance shine through.
Sneak Peeks
Dec 11, 2014 — Italian director Liliana Cavani’s The Night Porter, about the sadomasochistic bond reignited after World War II between a former Nazi commandant (Dirk Bogarde) and a concentration camp prisoner (Charlotte Rampling)—shocked audiences on its release in 1974 for its eroticism and...
Jul 23, 2014 — Jacques Demy’s miraculous, melancholy musical is the rare film to use pastiche and artifice to go straight for the heart.