The Criterion Collection
The Daily
Sep 3, 2018 — Here’s how the competition is shaping up so far.
The Daily
Aug 8, 2018 — New films by Karyn Kusama, Alex Ross Perry, and Benjamín Naishtat will compete in the Platform program.
Features
Sep 19, 2016 — If you consider noir as a global phenomenon, then films like Julien Duvivier’s Pépé le moko (1937), Jean Renoir’s La bête humaine (1938), and Carné’s Port of Shadows (1938) may be the first full harvest of this bitter crop.
Mar 8, 2016 — Paris Belongs to Us marked the genesis of Jacques Rivette’s unique filmmaking style—introducing visual and narrative elements that Rivette would build on over the course of his long career.
Essays
Jun 16, 2014 — Georges Franju evokes the surreal silent serials of Louis Feuillade while constructing his own personal cinematic paradise.
Features
Oct 4, 2013 — This fascinating first contact between Roberto Rossellini and Ingrid Bergman kicked off one of cinema’s greatest—and most controversial—love affairs.
May 24, 2011 — In 1938, Charles Chaplin deposited with the Library of Congress a script for a film to be called The Dictator, and told the press it was a project in which he would play a double role. He clearly had Hitler...
Jul 22, 2009 — Made in 1966 (so quickly that it could almost be considered an improvisation), Jean-Luc Godard’s twelfth feature is arguably the most quintessentially “Godardian” of the filmmaker’s early period— but for those of us in the United States, it is also...
Apr 24, 2006 — M ade in 1965 and still considered by many to be Marco Bellocchio’s masterpiece, Fists in the Pocket foreshadows the years of student protest in a family tragedy bordering on horror. This seminal first feature catapulted the twenty-six-year-old Bellocchio to...
Essays
Sep 29, 2003 — Roman Polanski’s maiden feature would define his maverick status once and for all.